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One of the things that make blogs particularly interesting are series. The “series” series recommends series at related blogs. This time I am introducing the online video series called “Everything is a Remix“, featured on a blog with the same name.
Technically, “Everything is a Remix” is not so much a series presented at blog but a blog devoted to a series of the same name. By now, New York-based filmmaker Kirby Ferguson has put together the first two of what in the end should be four parts of a video series to demonstrate the importance remixing had and still has for our culture. I find the two episodes so far more than stunning. While the first episode focuses remixing in the field of music, the second episode deals with movies. In addition to his impressive videos, Ferguson also meticulously lists his source material (e.g. list of songs used in Pt. I) and gives detailed transcripts of his videos (e.g. transcript of Pt. II).
Everything is a Remix, Pt. I:
Everything is a Remix, Pt. II:
When watching the videos in Europe, keep in mind that technically publishing those most creative works for free on his blog does not conform to European copyright law, which lacks a general fair use clause that allows such derivative work in the US.
(leonhard)
One famous quote of Creative Commons founder Lawrence Lessig claims that “[t]here is no art that doesn’t re-use.” In research, this principle is called “standing on the shoulders of giants” and meant to acknowledge that even the most original article largely builds upon previous achievements by numerous predecessors; a fact evidenced by an ever growing number of citations in current journal articles.
But what holds for the most pedantic researcher, namely that it is impossible to accurately give credit to all intellectual influences leading to an article, is even more true for novelists and musicians. In case of the former this regularly leads to heated debates about whether “borrowing” ideas or even passages from other books is mere plagiarism or some form of “intertextuality“. In Europe, for example, the Independent recapitulates at length the recent discussion whether the debut novel by German writer Helene Hegemann was plagiarism or “intertextual mixing“; in the second edition of her novel “Axolotl Roadkill”, Hegemann responded to critics by listing all her sources in an appendix.
Could it be that giving credit becomes more important when obviously building upon others’ works becomes both more common and more explicit? Developed particularly to allow mash-ups and remixing, all the different Creative Commons licenses, for instance, include the “attribution”-clause, which requires to give credit. In the realm of music, hip hop is probably best known for re-using – “sampling” – portions of existing sound recordings in creating new works. And again, giving credit is an essential part of hip hop culture, as was demonstrated by Eminem in his 2003 Grammy Award speech: Read the rest of this entry »
