The second version of Amazon’s relatively successful ebook-reader “Kindle” comes with a new feature, the so-called “text-to-speech function”: it enables ebooks to be read aloud. So, while you are cooking or driving to work this feature allows you to continue “reading” a book. Computers have had this feature for a long time (e.g. to read aloud PDF documents) but the Kindle with its specialization on ebooks is the first to bring it to the world of mobile devices. Or better, it could be the first. Soon after the president of the US Authors Guild, Roy Blount, had publicly critized the feature in a New York Times piece titled “The Kindle Swindle” as a potential threat to audio books, Amazon gave in and agreed to disable text-to-speech on a title-by-title basis at the rightsholder’s request (see Slashdot). In his blog, Creative Commons founder Lawrence Lessig describes this as “caving into bullies“, emphasizes that Amazon did not violate any exclusive copyrights with this feature and bemoans that “users and innovators have less freedom“.
From a regulation point of view two points seem particularly noteworthy: First, representatives of copyright holders have the potential to extend copyright protection even beyond the already extensive copyrights granted by national and international legislation. The basis for their (bargaining) power are those legally granted exclusive rights. In a way, copyright appears to be self-refinforcing or even self-expanding. Second, the possibilty to disable the text-to-speech feature underlines the regulatory role of technolgy – here in form of fine-grained Digital Rights Management software – in the field of copyright.
Independent of the text-to-speech function but related to the latter point is the discussion on why the success of ebooks in general and the Kindle in particular is still limited. On his guardian-blog Bobbie Johnson offers a simple explanation: “not enough pirates“. But that is another discussion.
(leonhard)
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March 27, 2009 at 12:51
The German Open Access Uproar: Missing the point? «
[…] prevents both piracy and growth of the e-book market with strict digital rights management (see “The Kindle Controversy: No Right to be a Reader?”), in the latter Open Access initiatives for free and open availability of scientific […]
April 15, 2009 at 07:56
Kindle Controversy Continued: DRM and Free Software «
[…] the text-to-speech function on any or all of their e-books available for the Kindle 2 (see “The Kindle Controversy: No Right to be a Reader?“), public protests were mostly directed at the US Authors Guild, which had demanded these […]
April 15, 2009 at 07:58
Kindle Controversy Continued: “Exit” and “Voice” «
[…] the text-to-speech function on any or all of their e-books available for the Kindle 2 (see “The Kindle Controversy: No Right to be a Reader?“), public protests were mostly directed at the US Authors Guild, which had demanded these […]
January 2, 2010 at 00:48
One Year Blogging about Governance Across Borders: Statistics for 2009 «
[…] The Kindle Controversy: No Right to be a Reader? […]
March 9, 2011 at 22:59
Angry Librarians: The eBook User’s Bill of Rights «
[…] (DRM) technologies for controling usage is not new in the realm of electronic books (see “The Kindle Controversy“). Only the boldness of HarperCollins terms of use is. What Pamela Samuelson fears in the […]
June 4, 2012 at 17:48
Bücher für Blinde: Deutschland zählt zu Blockierer-Ländern › netzpolitik.org
[…] Bereits seit 2008 (vgl. “EU verhindert Urheberrechtsschranken für Blinde“) gibt es Versuche im Rahmen der Weltorganisation für geistiges Eigentum (WIPO) einen Vertrag abzuschließen, der Sehbehinderten und Blinden besseren Zugang zu urheberrechtlich geschützten Werken und hier vor allem Büchern ermöglichen würde. Denn obwohl es gerade bei E-Books prinzipiell leichter wäre, Bücher auch sehbehinderten Menschen zugänglich zu machen, sorgen rechtliche und technologische Vorgaben für künstliche Beschränkungen dieser Funktionalität. So musste beispielsweise Amazon seine Text-to-Speech-Funktion, mit der Texte von einer Computerstimme vorgelesen werden konnten, für die Mehrzahl urheberrechtlich geschützter Werke wieder deaktivieren (vgl. “The Kindle Controversy“). […]