While conventional discourse on global governance in general and copyright regulation in particular mainly discusses complementary or conflicting ways of regulation, abolitionist positions are only rarely mentioned. This blog is no exception to this rule, at least it was not until now.
The following reflection on the role – the potential virtues and deficiencies – of abolitionist reasoning is inspired by a recent blog post by Stephan Kinsella. In his article the self-described “Austro-Anarchist Libertarian” and author of the book “Against Intellectual Property” (2008, Mises Institute, PDF) features works by the cartoonist Nina Paley (see her video “All Creative Work Is Derivative” below). In an email to Kinsella, Paley describes herself as follows:
“I’m now artist-in-residence at QuestionCopyright.org, and do what I can to promote alternatives to copyright. (Actually I’m a copyright abolitionist, but many find that identification unpalatable.)”
Why is being a copyright abolitionist so “unpalatable” that even outspokenly critical individuals such as Paley feel the need to hide it? Is it the threat they embody by proposing such a seemingly radical position? Or is it rather the lacking connectivity for further debate, which leads to awkward moments and the self-perception of being unpalatable in the eyes of others?
In the field of copyright, abolitionism can also be found among economists, as is evidenced by Boldrin and Levine’s volume “Against Intellectual Monopoly” (2008, Cambridge University Press, PDF). Consistent with their theoretical claims, Boldrin, Levine and Kinsella put the following “copyright notice” on their blog “Against Monopoly”:
“Copyright Notice: We don’t think much of copyright, so you can do what you want with the content on this blog. Of course we are hungry for publicity, so we would be pleased if you avoided plagiarism and gave us credit for what we have written. We encourage you not to impose copyright restrictions on your “derivative” works, but we won’t try to stop you. For the legally or statist minded, you can consider yourself subject to a Creative Commons Attribution License.”
But regulatory abolitionism is of course neither a speciality of copyright or intellectual property nor is it restricted to libertarians. Also far-left organizations involved in the anti-globalization movement regularly call for “abolishment” or “dismantling” of existing regulatory institutions such as the WTO, the IMF and related treaties (see, for example, the Organic Consumers Association, socialism.com or “10 Reasons to Dismantle the WTO” by Mokhiber and Weissman).
Motives for abolitionism of libertarians and socialists are of course completely oppositional: While the latter see it as a first, to a certain extent dialectal, step towards new and presumably better transnational institutions, the former do not seek to replace the existing regulations by any alternative.
For moderate critics of both copyright regulation or globalization, abolitionist viewpoints and activism seem to be a two-edged sword: On the one hand they are eager to distance themselves from abolitionists. Copyright critique Lawrence Lessig, for example, states in a Billboard Q&A:
“The first big mistake is that people confuse my work with the growing copyright abolitionist movement that is out there. I’m fundamentally not a copyright abolitionist. I believe copyright is an essential part of the creative industry and culture is richer both in the money sense and in the diversity sense with copyright than without it. My objective is to find ways to update copyright and make it make sense in a different technological context, and that should be an objective shared by people who are in the industry.”
On the other hand, this very distancing from “radical” abolitionists is what makes those critics “moderates” and thereby allows them to at the same time define and fill what could be called a “centrist” position. To put it bluntly: if there were no abolitionists, critics of copyright regulation or the WTO would even be tempted to “invent” them.
Whether the threat of being defamed as a part of a quixotic camp of radical abolitionists is outweighed by the opportunities of playing the role of the “sensible” centrist is, of course, an empirical question. It depends not least upon the actual strength of abolitionist movements and on the success of moderates in differentiating themselves from those. In any case, looking at the reasons for and the role of abolitionists in transnational regulatory struggles seems to be a worthwhile endeavor.
(leonhard)
8 comments
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February 17, 2010 at 02:21
Stephan Kinsella
So… are you pro-copyright abolition or not? I can’t tell from your post.
Best, Stephan
February 17, 2010 at 02:40
leonidobusch
Personally, I am an abolition-sceptic. But as outlined in the post, I do acknowledge the important role radical abolitionist critique plays in opening, broadening and to a certain degree levelling the discursive field of copyright reform debates. In other words: while I do not completely share the abolitionist critique, I highly appreciate it.. ;-)
Best, Leonhard
February 17, 2010 at 12:03
Ulrike Höppner
Very interesting post, which is equally a collection of materials available. I wonder, whether “moderates” are more moderate because they don’t want to be radical or whether behind all this there is a fundamental difference in rationality/inner logic. Is the idea of what motivates innovation not radically different between the two positions? And what does that mean for the political reaction to “problems of copyright”?
February 17, 2010 at 12:25
leonidobusch
Thank you for your comment and your interesting questions, Ulrike! While I am not able to answer them right away – actually, I really think these could be turned into exciting research questions – I would just add even more questions: what is the relation between goals (abolitionism/reform) and motivation for activism? Could it be that relatively simple solutions such as abolitionism spark high-levels of short-term activsm (e.g. the WTO Seattle protesting) – representing something Rao (2008) would call a “hot cause” – while reformist approaches both require and lead to more bureaucratic and organized forms of “cool mobilization” (Rao again)?
March 15, 2010 at 13:40
Crosbie Fitch
I am a copyright abolitionist.
It seems strange that a maximalist position that supports million dollar fines, disconnection, and censorship of individuals even solely on the basis of accusation, by corporations (not even people), is regarded as a respectable position to take (think of the starving artists), whereas an abolitionist position (to restore the individual’s natural right to copy, their cultural liberty) has about the same implicit karma and credibility as that of the ‘smash the state’ anarchist.
And don’t get me started on the logical fallacy of ‘appeal to moderation’, that the correct position to take between enforcement vs abolition of slavery lies in a compromise or ‘reform’, e.g. statutory term of service, rest days, healthcare, etc.
March 18, 2010 at 01:41
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