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At a workshop on “Intellectual Property Ordering Beyond Borders” hosted by the newly founded Weizenbaum Institute in Berlin I was invited to give a talk on issues of transnationality and territoriality in the realm of private regulation via standards. This invitation provided me with the opportunity to bind together insights from several previous papers I had co-authored on the case of Creative Commons. Please find the slides of my talk below.

 

(leonhard)

Cover “Music Practices Across Borders”

Connecting migration studies and the theory of valuation, the collection edited by Glaucia Peres da Silva and Konstantin Hondros (both from University of Duisburg-Essen) offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the interdisciplinary contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange.

The book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts. Since the editors were able to publish the anthology open access – thanks to the university library of the University Duisburg-Essen – the book “Music practices across borders” as a full-text PDF.

The Book

Governance across borders: transnational fields and transversal themes. Leonhard Dobusch, Philip Mader and Sigrid Quack (eds.), 2013, epubli publishers.
June 2019
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Copyright Information

Creative Commons License
All texts on governance across borders are licensed under a Creative Commons Attribution-Share Alike 3.0 Germany License.