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A few days ago, the German collecting society GEMA was criticized by CEOs of leading music labels such as Universal or Sony Music for not being able to negotiate an agreement with Google, the owner of YouTube, that would allow their music videos to be featured on the site (see “Cracks in the Content Coalition: Corporations vs. Copyright Collectives“).  Today the German branch of the hacktivism group Anonymous weighed in and launched a campaign against GEMA (see the video message below).

At the time I am was writing this post, the GEMA homepage is was down, most likely because of a distributed denial-of-service attack – the standard form of online protest organized by Anonymous. The rationale for the attack given in the video explicitly refers to the recent criticism by major label representatives and reads as follows (my translation): Read the rest of this entry »

“It is difficult to make predictions, especially about the future.”
(Karl Valentin and others)

Not so long ago, the monopolistic concept of musician’s copyright collective like the German GEMA or the British PRS seemed to last forever. Even in countries with more than only one copyright collective like the US (e.g. BMI, ASCP) membership is exclusive and all-encompassing, meaning that an artist is not allowed to license only some works differently.

Yet, jamendo’s recently launched service jamendo pro might prove that forever was yesterday. Jamendo is an aggregator of Creative Commons (CC) licensed music. Commercial revenue is shared equally between jamendo and the artists, non-commercial use is free. In spite of the collecting societies’ prohibition of any open content licensing such as CC, the back catalogue of Jamendo consists of already more than 15.000 albums. Read the rest of this entry »

The Book

Governance across borders: transnational fields and transversal themes. Leonhard Dobusch, Philip Mader and Sigrid Quack (eds.), 2013, epubli publishers.
September 2019
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