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Guest blogger Nina Engwicht discusses a controversial performance art project in Berlin aiming to help Syrian refugee children.

Arrival of Jewish refugee children, port of London, February 1939

(Wikimedia; CC-BY-SA-3.0-de)

“1 in 100” is the slogan of a nightly ironic talent show currently put on in Berlin by the activist performance artists of the group “Center for Political Beauty” (Zentrum für Politische Schönheit). One in a hundred Syrian children will be saved, is the promise. In order to help the German government decide which children should be rescued, the audience is requested to vote for a child they would like to see rescued from the civil war: “1 in 100! One child wins. The others can go on dying. (weitersterben).

The artists urge their audience not to make light of their responsibility, but to use their right to vote. The show’s web site (http://voting.1aus100.de/) displays pictures and videos of each child, many of them badly hurt, some of them crying, some of them starving. The video of “child number 2” shows a boy desperately crying after a bomb attack. From off-camera we hear a man, presumably his father, saying “My God. My God. My children are dead. My children are dead”, while the boy cries for his brothers and sisters. The campaign’s Facebook page presents all these candidates and informs readers about their respective chances: “Child Nr. 61 only has two votes. Call now!”
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The Book

Governance across borders: transnational fields and transversal themes. Leonhard Dobusch, Philip Mader and Sigrid Quack (eds.), 2013, epubli publishers.
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